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Lost Heart Yields Big Reward

Lost Heart Yields Big Reward

Oct 10, 2017 | Posted by Ryan Luevano | Reviews |
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REVIEW: WITH LOVE AND A MAJOR ORGAN

BY RYAN M. LUÉVANO

In our techy-world where we use text messages, emails, skype and apps to connect with other people, true face-to-face communication can be challenging for some, making the creation of deep connections even more problematic. In Boston Court’s West Coast premiere of Julia Lederer’s play, With Love and a Major Organ, the notion of human connection is explored through a fantastic metaphor that drives this quirky piece.

With Love and A major organ

Paige Lindsey White & Bonita Friedericy. Photo: Jenny Graham.

Lederer’s play presents three lonely people: a young man named George; his overprotective mother, Mona; and a young woman subway rider. When George and the subway rider meet for the first time, it’s love at first sight for her, but not for George who’s uncomfortable talking to her. Meanwhile Mona struggles to find a soul mate on the internet. In a last attempt to win George’s heart, the play takes a sci-fi-twist as the subway rider literally gives her heart to George, who then runs away with it. Before long, the subway rider finds that she is lost without her heart and that she must get it back.

Lederer’s poetic, whimsical and eccentric use of language makes for an evening that intrigues audiences with her clever similes and grand metaphors. Even when the play stalls at the midway point, it’s able to pick-up steam again regaining our full attention to the predictable, yet satisfying denouement. Director Jessica Kubzansky embraces the world that Lederer has created by pushing her metaphors to their limits, leaving audiences with a delightful boon in the end—a subway ride of hope, love and self-awareness.

With Love and a Major Organ

Paige Lindsey White & Bonita Friedericy. Photo: Jenny Graham.

Together the set design by François-Pierre Couture and the projection design by Hana S. Kim are stunning—a subway station has never graced the stage more beautifully. The sound design by John Nobori adds to the wacky nature of the play with its contemporary/retro grooves and soundscape.

Daisuke Tsuji (George) is dynamic in this role, going from quiet (almost robotic) to zestful—a transformation that’s the most significant and distinct in the end. Due to the disparity in ages between Tsuji and Paige Lindsey White (subway rider), it took some time for me trust the subway rider who, by no fault of her own, appears deranged rather than enamored in her sudden infatuation with George. Even so, the adjustment is overcome by White’s unyielding spirit and energy that makes her character come alive. Bonita Friedericy (Mona) mines everything she can out of this seemingly perfunctory character as she displays her fear and frustration in her online dating experiences peppered throughout. Although all three characters complete an arc in the end, the dramatic impact for each is far from equal.

With Love and a Major Organ

Paige Lindsey White & Daisuke Tsuji. Photo: Jenny Graham.

Could you trust someone with your heart? Could you be as vulnerable as the subway rider who sacrifices her own heart? In With Love and Major Organ these questions are presented leaving audiences wondering if they are capable of that kind of connection in a world where the interaction via smartphones and computers is the norm.

With Love and A Major OrganPerformance Schedule:

With Love and a Major Organ

Written by Julia Lederer

Directed by Jessica Kubzansky

Thursday, September 28 through Sunday, November 5, 2017

Thursdays through Saturdays at 8:00pm; Sundays at 2:00pm (Except as Noted Below)

Previews:  Wednesday, Sept 28 through Friday, October 6

 

Opening: Saturday, October 7 at 8:00pm

Closing: Sunday, November 5 at 2:00pm

Specially Scheduled Performances:

Understudy Performances: Monday, October 16 at 8:00pm and Wednesday, October 18 at 8:00pm

No Performance Friday, October 13

Saturday Matinee, October 14 at 2:00pm

Live Wired Night (Post-Show Pizza and Beer Included in $10 Ticket Price): Thursday, October 12 at 8:00pm

Five Dollar Night ($5 Tickets available in-person one hour prior to the performance): Monday, October 23 at 8:00pm

The Z. Clark Branson foundation generously subsidizes Live Wired and Five Dollar Night ticket purchases.

Tickets and information:

Boston Court Performing Arts Center

70 N Mentor Ave. Pasadena, CA 91106

Website: BostonCourt.com

Phone: 626.683.6801

Prices: Single tickets currently range from $20 in previews to $39 in the regular run. Boston Court subscribers are encouraged to use remaining flex passes for With Love and a Major Organ. Additional 5-pack and 10-pack flex subscriptions are available for as low as $25 per ticket.

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Tin Pan L.A. is dedicated to providing insightful performing arts reviews and interviews featuring today’s most inspiring individuals in the arts and entertainment industries. Ryan M. Luévano is an award-winning playwright, screenwriter, and director based in Los Angeles.

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