REVIEW: WHO’S AFRIAD OF VIRGINIA WOOLF? BY RYAN M. LUEVANO Now playing at the Geffen Playhouse is Edward Albee’s 1963 Tony Award Winning play, Who’s Afraid of Virginia Woolf? This classic play takes place in the living room on the campus of a small New England college in 1962 in the wee hours of the morning. […]

REVIEW: PARADISE BLUE BY RYAN M. LUÉVANO The Geffen Playhouse’s latest offering takes us into a world of smoky blue notes and noir milieu set in a jazz club in 1949 Detroit. Tony Award-nominated playwright Dominique Morisseau’s play Paradise Blue takes the stage in a production that is as vivid as it is a vital piece of […]

REVIEW: THE LAST SHIP BY RYAN M. LUÉVANO Like a ship lost at sea, the Sting musical, The Last Ship has resurfaced at the Ahmanson Theater in Los Angeles following a UK national tour and a brief run in Toronto. The musical opened on Broadway in 2014 and ran for 105 performances. Now five years later […]

INTERVIEW: THADDEUS PHILLIPS BY RYAN M. LUÉVANO After sold out runs on four continents, including the international cities of Moscow and Hong Kong, 17 Border Crossings made its Off-Broadway premiere on April 11, 2019 at New York Theatre Workshop and ran for six weeks. Based on Phillips’ actual adventures, 17 Border Crossings is a comical, visually surreal, sometimes harrowing, and […]

REVIEW: THE IMMERSIVE NUTCRACKER FÊTE BY RYAN M. LUÉVANO When we think of The Nutcracker, Tchaikovsky’s ballet comes to mind as it’s the most famous adaptation of this E.T.A. Hoffmann story. However, for anyone who’s been on social media this holiday season, “The Immersive Nutcracker Fête” by Fever also comes to mind. Billed as “the most […]

REVIEW: THE CRIMSON CABARET BY RYAN M. LUÉVANO Immersive theatre is all the rage right now and in the last couple of years it’s been finding it footing on LA. This whole movement started in the UK pioneered by the British theatre company Punchdrunk. Their shows like Faust to the currently running productions of Sleep […]

REVIEW: WEED SHOP THE MUSICAL BY RYAN M. LUÉVANO We are currently in a renaissance of new musicals—it’s a new golden age of musical theater. Perhaps, like Oklahoma was in 1942, Hamilton was the shot heard ‘round the world announcing that musicals are cool again. It also let producers know that there’s money to be made if […]

REVIEW: GEM OF THE OCEAN BY RYAN M. LUÉVANO There’s something fascinating about plays that are set in the ‘olden days’; simpler times, when people just sat around talking to one another face to face. Watching one of these works is like finding a secret door that takes us back in time, if only for […]

REVIEW: BURIED CHILD BY RYAN M. LUÉVANO I remember picking up Sam Shepard’s play Buried Child from the, now closed, Samuel French Bookshop on Sunset Blvd., a couple years ago. Then upon reading this strange, dark and humorous play, I remember thinking: What just happened? Who are these people? How could a whole family be so […]

BY RYAN M. LUÉVANO Playwright Paula Vogel has dedicated her life to bringing underrepresented “real” people to the stage, examining traditionally controversial issues, and telling the stories that as she puts it “[…] wound our memory so we can remember.” Her mission began as a high schooler who ditched school to visit the Library of […]